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so there are no sad substitutes and zero shortcomings on taste
the issue presents interviews and features with artists whose works speak to the passage of time
Landscapes of Brazil
In the process he produces an ironic commentary on Gursky’s series of large-format
Publishing As Practice activism so there are no sadPublishing as Practice centers on the work of three contemporary artists book publishers who have developed fresh ways of broaching the political in publishing. This book documents a residency program at Ulisesa curatorial platform based in Philadelphiathat explores publishing as an incubator for new forms of editorial, curatorial and artistic practice. Over the course of two years, three participants (Hardworking Goodlooking, Martine Syms Dominica,
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