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Using plant-based colour for printmaking is a rich and inspiring practice that opens up a fascinating world of colour independent from a reliance on synthetic inks and pastes
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IN THE STORM - Rhoda Power Pages:166 pages, 4 black and white illustrations, 1 map; 4 black and white illustrations, 1 map Using plant-based colour for printmakingDecember 1916. A young English woman crosses a North Sea patrolled by German submarines on the first stage of her lengthy journey to the Southern Russian city of Rostov on Don where she is engaged as a tutor to the teenage daughter of a prosperous industrialist. Within three months the Russian Revolution explodes, and she is caught up in chaotic and bloody months of violence. Rhoda Power's remarkable record describes with an extraordinary cool eye and
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